Sunday, March 23, 2025

I liked it better when people dressed up

Here's another comic story that I really love. And I have to ask - it it just me who finds this six-page tale by "Beto" (Gilbert Hernandez) to be hauntingly beautiful and just plain wonderful in its own unique way?


 





This comes from the second issue of "Measles", the Hernandez brothers' comic for all ages, in 1999. And there's nothing remotely like this in any of the other stories that filled the pages of Measles, not even in the other adventures of Venus. The sense of emptiness in the wide panels, the silence, the wind blowing Venus's hair, her delighted reactions to the mundane Space Fun exhibits... the whole thing just has an eerie, quiet magnificence about it.

Maybe it is just me. Or me and my brother, anyway, because he showed me it in 1999 and agrees completely. What do you think?

Saturday, March 22, 2025

Thundercats and Mike Nomad

 

In 1954, William Overgard took over as the artist of the "Steve Roper" newspaper comic strip. Overgard had previously tried and failed to sell his own comic strip about Mike Nomad, a tough former commando who got the job done. Within a couple of years, Mike Nomad had joined forces with Steve Roper and became the foremost character in the comic, which was eventually renamed "Steve Roper and Mike Nomad".

Back in the fifties, William Overgard was sharing an artists' studio in New York with Leonard Starr, another talented artist and writer of comics. And thirty years later, when Leonard Starr got a very cool gig as head writer of the new Thundercats cartoon, William Overgard came on board to contribute some stories. He hadn't changed much in those three decades, it seems. Let's take a quick look at the six Thundercats episodes in the Overgard oeuvre...

Mandora - The Evil Chaser

This first episode spells out what William Overgard's approach to writing Thundercats is going to be. Lion-O and Snarf stumble across a big box dumped in the middle of a field, ignore the warning signs and open it to release three interplanetary criminals. Space police officer Mandora arrives and takes over the show, enlisting Lion-O as a sidekick to recapture the villains. One of them, the thief Quickpick, is a quirky rogue who joins forces with Mandora and Lion-O when they're all captured by Mudhogs. The rest of the Thundercats are completely absent from most of the episode, and just come along at the end for the final battle.

It's really different from what had been seen in Thundercats before (this was the first episode shown after the initial scene-setting nine stories by Leonard Starr and Jules Bass) but has a definite coolness to it that the series hadn't seen before. Mandora, with her no-nonsense attitude, cool space uniform and technology and flying motorbike ("the Electrocharger") is something very different. But it takes a while to get used to the minimal involvement of the Thundercats in what's supposed to be their cartoon...

The Fireballs of Plun-Darr

This is more of a traditional Thundercats story - probably the first one Overgard wrote, but since it followed on from Starr's "The Spaceship Beneath the Sands", Mandora probably ended up being produced first. It features the toy-based characters more prominently, as Tygra is captured by the Mutants and Lion-O has to come to his rescue along with non-toy-based but established supporting character Willa. The rest of the Thundercats are once more only in a cameo at the end.

William Overgard's knowledge of "Spaceship Beneath the Sands", incidentally, is clearly based on just knowing the episode would introduce the two new Mutant vehicles. Otherwise, he was just working from the earliest premise of the series - the Other Mutants appear in this one, having been dropped by the other writers after the pilot episode. S-S-Slithe and his minions are also very evil in this one, far from the usual comical bungling that became the norm!

Mandora and the Pirates

And this one is barely a Thundercats episode at all. It's an adventure for Mandora, tackling the space robot pirate Captain Cracker, who takes over the Grey Prison Planet and releases the evil creatures held there. Quickpick is among them, and joins forces with Mandora, ending the episode by officially becoming her sidekick.

Lion-O also comes along to help, playing a smaller supporting role. All the rest of the Thundercats (ie the toys who this cartoon is supposed to be advertising) make only the briefest of appearances, as usual coming along right at the end to help catch the villains. More than any other Overgard story, this one feels like a tale from a completely different universe, with a Thundercat hastily added into the mix.

Dr Dometone

This one's very similar, although Lion-O is joined here by Wilykat and Wilykit. They help Dr Dometone and his giant robot frog protect the Great Oceanic Plug from space villain Scrape and his giant robot electric eel. All these new characters, robots and settings aren't at all part of the usual Thundercats setup. And as usual, the rest of the team turn up late on to make a token contribution to sorting things out.

Mandora gets mentioned at the end - Lion-O says he's handed Scrape over to her - and I wouldn't be surprised to learn that this was fully written and planned as a Mandora and Quickpick adventure before being modified for Thundercats.

The Thunder-Cutter

This episode is more toy-based than usual. It introduces Hachiman, who seems to have been already created as a toy rather than being one of William Overgard's inventions. And he's teamed with Lion-O and non-toy series regular Nayda, against Mumm-Ra and the Mutants. Throw in the usual cameo of the rest of the Thundercat team at the end of the episode, and you've got more toys in this one than any other Overgard!

It's still a bit strange to have a mediaeval samurai in Thundercats, but it's such a divergence from William Overgard's usual predilection for space robots, I don't think we can blame him for that.

Sword in a Hole

Mumm-Ra hires space mercenary Captain Shiner to throw the Sword of Omens into a black hole, and Lion-O and Panthro have to rescue it. A big part of the episode, though, is devoted to telling us all how very cool Captain Shiner is - and to be fair, he really is awesome. It's just that he's not very "Thundercats".

Captain Shiner did get made into a toy for the third range of action figures, when they were going through the cartoon episodes to find new characters. So did Captain Cracker, but I can't help thinking William Overgard would have preferred to see toys of Mandora and Quickpick.


The most distinctive feature of William Overgard's writing, apart from the minimal role of the Thundercats and the unique rigmarole they recite when rushing to save the day ("Tygra ready, ho! Cheetara ready, ho!" etc) is a love of outer space adventure and a galloping lack of understanding of how outer space is supposed to work. Words like 'galaxy' and 'light year' can mean anything. If your spaceship has inconveniently blown up, you can stand around in space and have a conversation waiting for someone to come and pick you up. Captain Cracker makes Lion-O walk the plank, in space, saying he'll fall a zillion miles. And then there's travel times - the Thundercats always drive from Cats' Lair to Lion-O's location at the end of the episode in a matter of seconds. Even when, as in "The Thunder-Cutter", he's somewhere explicitly several days' walk away.

But though you can laugh at his peculiarities, there's no denying that William Overgard was one of the very best writers of this generally excellent cartoon. His adventures are so much fun to watch that I can (and do) still get a kick out of putting them on again now, 38 years after watching them for the first time. If you've been unlucky enough not to watch Thundercats before (even despite all the times I've told you to watch it), you could do a lot worse than starting with the Overgards!

Wednesday, March 12, 2025

Did you ever see a dozen dunderheads?

 One of my most popular posts on this blog is the one about Combat Kelly and the Deadly Dozen. So let's talk about the gang who they totally stole the name from, and more specifically their leader, Sniffer!

This is just the first part of the long and fascinating history of Sniffer, which encompasses a lot of other characters and genres along the way! Part One - How the gang got together!

Actually, Marvel Comics almost certainly didn't steal the "Deadly Dozen" name from the Deadly Dozen who first appeared in Lev Gleason Comics in 1941; they were stealing the concept from the 1967 Dirty Dozen movie and just picked the most obvious D-word for their version. But Marvel definitely did steal another famous comics D-word from Lev Gleason, and our story starts in the very popular forties comic, "Daredevil"!


The bichromatic boomerang-wielding superhero had first appeared as a backup strip in Silver Streak Comics #6, cover date September 1940 (published in July) and was if not actually "the greatest name in comics" as that cover claims, certainly popular enough to quickly be promoted to his own title, the first issue cover-dated July 1941. In his own comic, Daredevil was written and drawn by Charles Biro, a very big name in comics history, and the comic kept running all the way to 1956, when Lev Gleason went out of business - although by that time superheroes were all but gone and forgotten, and Daredevil had long since disappeared from his own comic, which now starred the Little Wise Guys. Marvel Comics remembered the hero, though, and quite deliberately swiped the now-available name for their own latest hero when he launched in 1964. That Daredevil is still being published in his own comic today.


But back in 1941, the fifth issue of "Daredevil" was a standard 64-page comic (not counting the covers) with a host of different features. Adventure! War! Intrigue! Sports! Patriotism! Mystery! The contents page on the inside front cover lists them in a rather strange order, , but the only one we're interested in here is the main event, Daredevil himself. His 13-page story starts with a notice that "The Case of the Mysterious Trunk", advertised last month, won't be appearing until next issue. Instead, we get a story that starts out as a tale about a machine that can predict whether or not a person is capable of murder, and turns into a story about a nationwide convention of criminals getting together to kill Daredevil.

It's not until page 9 that we see they've assembled a team of twelve deadly killers!


The Deadly Dozen - Crusher, Egghead, Snake Eyes, Skully, Benito, Butcher, Giant Killer, Owl, Satan, Sniffer, Turk and Lady Killer all line up for inspection. Sniffer clearly stands out from the crowd, by virtue of being the only one who does anything other than just standing there. He displays his unusual sniffing abilities, and it's immediately obvious that Charles Biro likes him and wants us all to like him too!

Daredevil spends the first half of page 10 beating up the generic crooks, then escapes, with the Deadly Dozen sent out to find and kill him. Daredevil beats them all up, one or two at a time, over the next couple of pages. Not one of them gets any kind of personality beyond a namecheck. Sniffer, still sniffing, is the last of them, and after the whole Dozen have been handed over to the cops, Daredevil speaks to the readers, asking them "Which of the twelve would you like to see me tangle with again?"


This isn't much of a contest. Eleven of the twelve have done nothing, and only Sniffer is at all noticeable in the story we've just read. It really looks like Charles Biro wants to tell Sniffer stories, and wants to get some reader feedback to convince Lev Gleason that that's what the kids want to see. Rigging the results of a popularity contest is very much the kind of thing Sniffer would do in the future, so it's very appropriate.

Sure enough, three months later (Daredevil spent #6 battling a wolfman and #7 finally exploring the much-delayed case of the mysterious trunk), it's the return of Sniffer! By popular request!

Daredevil #8 was cover-dated March 1942, and went on sale in January. So America is already at war, but this issue was prepared before Pearl Harbor. The battle between Daredevil and the Nazis is just the standard pre-war theme that has been appearing in Lev Gleason comics for years, urging the USA to do something about Germany. The first issue of the comic was actually titled "Daredevil Battles Hitler", complete with photo of der Führer's face on the cover.



It's an interesting story. It revolves around an evil insidious German Bund, planning to spread propaganda and ultimately take over the entire USA. And working for them is Sniffer - clearly doing it for the money and resenting being given anything to do that isn't killing people.


But when the evil Herr Herring and his evil Bundists actually give Sniffer the job of killing the young American boy who tried to betray them (I love that he's only resisting the Nazis because he's been to college and been corrupted by free-thinking notions), he contemptuously refuses to do it. Sniffer is a killer, but only of people who deserve killing. And he has nothing to do with the subsequent spread of Lies! Propaganda! Hatred! That's really quite the opposite of what our loveable rogue murderer is all about!


The Nazis confine Sniffer to their dungeon, Daredevil rescues him, and the two join forces to smash the Bund. Sniffer displays some impressive fighting skills along the way!


And our two heroes save the day, and the nation, without any real trouble. Daredevil makes it clear that Sniffer is a great guy, and is more or less going straight, maybe!


It's a strange way to launch a new comedy backup strip, but a later page in the same comic confirms that that's what we're doing here. Sniffer has been granted his own comic strip, starting next month!


And so, as promised, the next month's Daredevil #9 gives Sniffer his own strip, unrelated to the Daredevil adventures, and telling us once again that it's the result of popular demand!


Thousands of letters have poured in after his second appearance, apparently - although this story clearly must have been produced long before the previous story saw print - and it sees Sniffer setting up in business himself, with his Brush 'Em Off Syndicate! Almost certainly written by Charles Biro, but now he's being drawn by Carl "Hub" Hubbell.

He tries to go about it in an unusually honourable way, but ends up killing off a rival mob in the course of his misadventures, showing himself in the process to be an expert hitman. But it's all done in a very light-hearted kind of way, and ends with another panel urging readers to write in and ask for more Sniffer! It seems to have worked, one way or another - Sniffer becomes a fixture in the Daredevil comic from now on.






Daredevil #10, cover dated May 1942, is obviously the first issue produced after Pearl Harbor. Like all the other American comics, it temporarily drops the Germans from its rogues' gallery and focuses on the Japanese. The cover tells us that Daredevil "vows that one hundred Japs will fall for every drop of American blood spilled by their treachery" and his own story in this issue has him join the air force and spill a heck of a lot of Japanese blood.

But the contents page tells us it's Sniffer who's "slated to be America's number one comic character", and he stars in a story clearly written before the war.



Contracted to kill a bookie who absconded with a crook's money, Sniffer sympathises with the bookie when he finds out he's got a wife in hospital and a baby to take care of, and he resolves the issue without killing anyone, even winning a beautiful baby contest along the way (by threatening the judges with his gatling gun). And he talks to the readers again, thanking them for their letters of support!

Sniffer's skin, incidentally, fluctuates from pink to yellow to orange from one page to the next. I'm really not sure what it's supposed to be.

Anyway, in Daredevil #11, the Second World War has caught up to Sniffer at last - business for a hired killer is slack because of the war, so he figures he might as well join the army for something to do. We also get a caption on the first page of his story telling us that "Since he first appeared as a minor character in a Daredevil story," Sniffer has become enormously popular! Charles Biro is still really pushing that 'by popular demand' legend about him!

So Sniffer joins up, and proves an unconventional kind of soldier - he doesn't like the uniform, saying "Even Crimebuster's monkey wouldn't look good in dis!" and picks out a scruffy, ill-fitting outfit for himself instead. More of C.B. and his monkey later; he's the star of Boy Comics, and Sniffer will be meeting him eventually! Sniffer is kept on by the army because of his expert marksmanship, and when assigned to the traditional army potato-peeling, who should be meet but Satan himself!


Yes, it's the return of the Deadly Dozen! Incidentally, "Satan" was a very common name for unexceptional bad guys in American comics of the time. It wasn't until later years that Americans really seemed to associate the name with evil and power.

And so Sniffer and Satan decide to round up the old gang, and get the whole Dozen into the army with them!


I just love that when we see the Dozen going about their everyday lives, Lady Killer is casually killing a lady, and is annoyed when Sniffer interrupts him. And Daredevil takes the final panel to tell us how great this latest development is!

So that's how the gang got together (and split up, and got together again) - from now on the Dozen are a team, although eleven of them will be nothing more than occasionally-seen background characters behind Sniffer. It's a strange setup, made even stranger by being hammered into a war-propaganda context!

And also in this issue of Daredevil, there's an interesting announcement about the future of comic magazines...

Lev Gleason had three titles at this time - Daredevil, Boy Comics and Silver Streak Comics. But now three of the characters from Silver Streak are moving into Daredevil, because Silver Streak Comics is being replaced by an all-new title, Crime Does Not Pay. No superheroes there (the Silver Streak, a very unexceptional kind of hero, was just axed altogether), this new comic was the all-new genre of gritty tales of crime. It took a few years to really become controversial, but crime comics - dwelling gruesomely on the nasty details of crime, with a perfunctory 'crime is bad' moral at the end - upset a lot of people. And it all starts here, but maybe Sniffer and the Deadly Dozen could be seen as paving the way!

Stay tuned for part two of the chronicle - what did Sniffer do in the war?

This is all William Overgard's fault

 I've never done a 'early comics work by writers of the Thundercats cartoon' blog about William Overgard, which is a shocking omission. In my defence, his early comics work consists of:

a) 31 years on the 'Steve Roper' newspaper comic strip, which I have never read but which sounds like it has many wonderful and fascinating similarities to his Thundercats work that I could write about, and

b) A few years drawing comics for Lev Gleason in the fifties, where he's following someone else's script without the opportunity to innovate on his own, and frequently just drawing isolated chapters of a bigger storyline, that would look strange if I just wrote about them alone.

So, obviously, my thought process goes, I need to read the whole history of Steve Roper, right? Individual scans of daily newspapers are available online. And the strip started in 1936 and finished in 2004, so I'd have to read all the pre- and post-Overgard years too, for context...

Maybe I'll have a look at his Lev Gleason credits and see if there's something a bit simpler... ooh, Sniffer and the Deadly Dozen and Iron Jaw...

One long rabbit hole later, there's nothing else for it. I'm going to have to write up the entire history of Sniffer. Most of it's nothing to do with William Overgard at all, so forget the Thundercats angle. I thought I could just do a quick-ish simple summary of the different approaches to the character over the years, but most of it is so good that I can't just skim through it - there's a brief period during the war when it was very dull, but for the most part every single story has funny and interesting things I want to highlight. 

So stay tuned for what will have to be a multi-part catalogue of the saga of Sniffer and the Deadly Dozen and Iron Jaw and Crimebuster and Daredevil. Which might take months or years to write in full. And also an article about William Overgard's episodes of Thundercats, because it really isn't fair to exclude him when he started this whole monstrosity!

Friday, March 07, 2025

The Adventures of T-Shirt

 My life has been plagued by loathsome little girls! Deborahs, Hollys, bleuch!

YouTube randomly recommended me the first episode of the fifth series of T-Bag (or "T. Bag" as I see they traditionally punctuated it, but somehow writing it with a dash feels more natural), and it takes me back. I remember watching that episode, particularly T-Bag's line above, when it first aired in January 1989. I was twelve, and I'd been a fan since at least the second series in 1986 (the one with the numbers), though I'm not sure if I'd seen the first series (with letters) the year before.

1989 was the one with the spoons, and the last one with Elizabeth Estensen as T-Bag. It declined a little after that, but I kept in touch right until the ninth and final series (late 1992 rather than early 1993, to get it shown before Thames TV disappeared). That one really wasn't very good at all.

But the point is, if you haven't heard of T-Bag, it was a British children's TV institution! Each series of ten episodes followed a strict formula - the evil T-Bag was embarking on some kind of nebulous evil scheme, which was thwarted by scattering a group of objects across time and space, and one heroic young girl had to travel around and gather the objects before T-Bag and her assistant T-Shirt could find them. Each episode would feature exactly two guest actors who the girl would interact with and end up retrieving one of the objects, and in the final episode T-Bag would be defeated. It was great.

You were meant to cheer for the girl (Debbie for the first three series, then one with Holly, two with Sally, and I don't remember the rest), but in my usual chauvinistic way I didn't care about them at all. Not even Sally, who turns out to have been played by Kellie Bright, who I subsequently watched in The Upper Hand and Maid Marian and her Merry Men, and plenty of other things too. No, I was always watching it for T-Shirt.

T-Shirt's story arc was the same in each series. Thomas starts out free and happy in the antique shop he apparently inhabits with Debbie, but then is dragged back into T-Bag's service, struggling against it until he's magically mind-controlled to be her willing slave and tea-caddy. Over the course of the series he gradually starts to rebel, and by the final episode he's broken free and joined forces with the girl to vanquish T-Bag once and for all (until next year). He was very cool.

It's possible that I don't like the later years so much because I was growing more mature, but of course T-Shirt was doing the same. Played from start to finish by the wonderful John Hasler, he's around nine years old when they made the first series, and so of course he's around seventeen by the end. Fans of the series got to see him grow up, roughly a year ahead of me, and the way his character and interactions with T-Bag grow and develop while staying true to the consistent feel of the show in general is just brilliant. They should make some more episodes today, it'd be just the same, and I'm sure it'd be a big hit!

Sunday, March 02, 2025

I have no shame

 Did you know there's a website dedicated to Digitser? The 1990s Channel 4 Teletext video game page, famously hosted by The Man With A Long Chin?

Well, there is. And one page on it contains a selection from their letters page, and it's time I confessed something that has been a dark secret for more than thirty years...

I was a regular correspondent to Digitiser in 1993/1994 (as I recall, by the time I went to university in autumn 94, I'd stopped), under the name of The Man With No Shame.

A few earlier letters were under the less imaginative name of Ben Pridmore (which I also used when entering their competitions, some of which I won!), and I also wrote one as "Miriam the Mystic", which got printed too. But it was mainly The Man With No Shame.

I wasn't one of the superstar writers who everyone thought were cool, but I was thrilled to see my pseudonym show up occasionally for the world to see! Once I won a subscription to Gamesmaster magazine by having the star letter on the theme of the week, "What makes you a Digitiser 'super viewer'?"

I can only see one of my letters on that page, and I don't remember writing it at all. But it has to be me, with that name and location...

Most of the letters collected there are from after my time, but for some reason I remember this one (not written by me) and its answer word for word, after all these years...


The "Miriam the Mystic" letter, if I'm remembering the name right, included references to a lot of famous letter-writers, and I slipped my brother "T. Prophet" in there too, which was very nice of me. And they edited that line out when they printed it, obviously recognising that we wrote from the same address. So thanks, Digitiser - do you know how rare it was for me to do something nice for my brother like that? And I never got to show him it...

Sunday, February 16, 2025

Cantabrigian othelloing

 Ah, the Cambridge EGP, biggest and coolest othello tournament of the year. And I scraped the funds together to go to it, and it was a fantastic weekend! 39 competitors, running the full range of old* and new, old* and young, local and international, there was a bit of everything!

*'Old' the first time there means people who've been playing for fifty years, 'old' the second time just means generally geriatric like me. There were beginners and very young people there too, and whatever your level of experience and skill, you'd find another competitor around the same level! It really was a perfect lineup of participants.

I was basically terrible, but ended up with five wins out of eleven, which could have been worse. It's hard to find a way to pretend I achieved my "fifty percent success" target, but I wasn't far off! And it was nice to get away to the familiar surroundings of Trinity College and pretend I'm some kind of varsity type. I've been going to that tournament since I don't remember when. I was definitely there in 2003 (it snowed), but I'd possibly been there at least once before. I'd look it up, but I'm too lazy. I'll research it before I have to tell someone I've forgotten, because that's always embarrassing for a memory master like me...

Tuesday, February 11, 2025

Heavens to Murgatroyd

 This is a real case of "Why did nobody tell me about this before?" I mean, if there's something everyone should know I would love, it's got to be a gritty period-drama comic about the effects of Communist witch hunts on the 1950s American theatre, starring Snagglepuss as the central character! And yet "Exit Stage Left: The Snagglepuss Chronicles" six-issue limited series came out in 2018, and it took until last week for an acquaintance to mention it in passing to me!


I clearly need to spend even more time reading comic review websites...